AM Class 4 Shot 2, refining

My current shot is coming together. I just submitted it.
It's our first dialogue shot at AM.

I'm discovering a curious thing about details:
The more subtle a motion is, the more detail you can put into it.
It's definitely a matter of "less allows more".


Reflecting on "refining":

You go from "wings of eagles" to "running, then walking," but not as a matter of growing weary.
Rather, it really is a natural progression of maturation: refinement of motion, refinement of intent, refinement of purpose.
This will end up being my most subtle AM shot so far.